Max Ritvo

THE CURVE
September 26, 2016 Ritvo Max

THE CURVE

 

Something, call it X, wanted a body

so it made our bodies.

But our bodies weren’t right for it—

 

gum around the bones,

a rash of gold or black,

 

eyes like blisters

leaking fondness.

 

*

 

X realized all animal bodies were like this, so it made language.

 

*

 

Language forced X into the body

like carbonation into a soda.

 

When I hear the word rock,

a translucent lump

shimmers in front of the world.

 

To its right, a piece of glass cuts a clear finger

and to its left, there pulses a rocky, low, cold crust.

 

*

 

Though the images

vary exhaustingly and troublingly,

I always remember

the spoke of earth

cutting into the ocean

we saw from above, on a bicycle ride,

the sheen of the bicycles

spreading over the earth,

distinct from the ocean’s sheen.

The sheens alarmingly similar to one another

to be so close together—like two bodies making love.

 

*

 

We imagine a vertical meadow

complicated into our world needlessly;

but complication is all X ever wanted for us.

We misunderstand purity. This is purity.

 

*

 

I am your lover and X’s.

I am too good a lover

to ever be bored:

 

Skinny, hairy-chested,

made of pellets of rice,

cheeping in a way that’s

endearing and inappropriate,

confused, surprised at the confusion,

surprised at the surprise,

and so on, very tiringly, so on.

MAX RITVO (1990-2016) wrote FOUR INCARNATIONS in New York and Los Angeles over the course of a long battle with cancer; it was published in September 2016 ny Milkweed Editions.  He was also the author of the chapbook AEONS, chosen by Jean Valentine to receive the Poetry Society of America Chapbook Fellowship in 2014. Ritvo’s poetry has appeared in the New Yorker, Poetry, and the Boston Review, and as a Poem-a-Day for Poets.org. His prose and interviews have appeared in publications such as Lit Hub, Huffington Post, and the Los Angeles Review of Books.