Brian Culhane

Two Poems
August 25, 2025 Culhane Brian

VOICE

 

In reading I
Decipher
These marks

 

On the page
Only
To recall

 

Once a teacher of
Writing
Told me

 

Voice is that
Immutable constant
We have no

 

Control
Over
Yet nonetheless which

 

Distinguishes
Us from
A thousand-fold

 

Beings writing
This very minute on
Notebooks keyboards

 

Whiteboards composing
No matter what
Tonal range

 

Tragic
Bathetic
Inconsolable

 

Vituperative
Hortatory
Beneficent

 

A great-grandmother’s
Sugar-daddy’s
Misanthrope’s

 

Egghead’s putz’s
Wimp’s salesclerk’s
Onanist’s

 

Philologist’s
Rasp harangue bellow
Whimper

 

Requiem tweedle
Ululation bay
Miserere croon laud

 

Susurration psalm ballad
Halloo warble chant
Halleluiah

 

All such right here
I suppose
Underneath these letters

 

Patiently awaiting
A mind to
Give voice to

 

That running
Dribbling flowing swirling
Gushing

 

At once throb
And pulse
Freshet puddle pool

 

Cave seep
Back from the far beyond
Yet close as teeth

 

 

 

IN THE DUTCH ROOM

 

In the Dutch room, when you enter you find
The light brimming across the dark canvasses,
And it’s so beautiful, that light, museumgoers

 

Fade away, and it’s only you and the light, or so
You feel, leaning closer to brushstrokes dense
As thunderheads, the light welling up the way

 

Lightning would if it could come not suddenly
But gradually, the earth and sky meeting slowly,
And the illumination coming just as some dawns

 

Can sometimes wake you before day’s known,
Where you lie like a prince in clean sheets,
Considering how the light isn’t really dawn yet—

 

But as soon as you have that thought it’s gone,
Because your room is there, complete, golden,
Which is how the Dutch master must have seen

 

His canvas before finding just the right brush
And loading it like this, not thinking of anything
Especially, his hand steadying as he approaches

 

What he feels could be done in the given hour,
So, centuries on, two girls might step closer,
Wearing the same school outfits—plaid skirts,

 

Knee socks, too-blue shirts—both now grown
Quiet, and I have turned from the art to study
The way they stand looking, almost solemnly,

 

Not fidgeting or moving on, paying real attention,
Turning older somehow, by degrees aware of
The depths and brushstrokes and richest darks

 

That surround the lit figure at her dressing table,
Who, only a few years older than themselves,
Is yet teaching them in this moment how to look

 

Beyond our restless world, block out the scuffle
Of footsteps as classmates begin to wander in,
Into the Dutch room, and a boy staggers backwards

 

For a joke, while through one window light comes
Slanting down, and they stand there as if just waking,
Shoulders slightly touching, lips parted, as if to ask.

Brian Culhane’s poetry has appeared widely in such journals as Blackbird, The Cincinnati ReviewThe Hudson Review, and The Paris Review. Awarded the Poetry Foundation’s Emily Dickinson Prize, his first book, The King’s Question, was published by Graywolf Press. He’s received fellowships from Washington State’s Artist Trust, MacDowell, and the Virginia Center for the Creative Arts. His second collection, Remembering Lethe, was published by Able Muse Press in 2021 and reviewed by Chelsea Wagenaar in Issue 127  of Plume.