Hilde Weisert

The Transit Hall on Pier 86
July 25, 2016 Weisert Hilde

The Transit Hall on Pier 86

 

They say there’s a place in the brain for faces

and I believe it, this headache a claw

into raw nerves, the strain of testing

so many men’s faces for my one “Father”

 

as the boat empties and the transit hall

fills with women, children, and one plausible man

after another whose face dissolves

with study. For a moment each one

 

could be him, ruddy, regular, a gaze returned

into my face, which has its own brain

place also working hard to make

something recognizable as a daughter

 

out of so many raw nerves. The looking and the looked-at

swim – these places in the brain are wet, gelid,

something out of Coelenterata that starts to wave

at this handsome new father until his hard

 

square eyes break my floundering smile

into one more mistake. A decade is long

when you are twenty. The long hall rings

with “Hello’s!”, feet on pavement, the clamoring

 

embrace. When I see him, I am alone,

and at his eyes, drop my own, ashamed

I tried so many strangers on, itinerants against

the one face that goes here, and whose eyes

 

I could have lost when they are the same

as mine. Mine that I work to raise, bringing up

a woman’s face out of a child’s, and offering my father

a hand, dry and outstretched.

Hilde Weisert’s poetry collection, The Scheme of Things, was published by David Robert Books in 2015. Her poems have appeared in magazines including Ms., The Cincinnati Review, The New York Times, Plume, The Cortland Review, Prairie Schooner, The Sun, Southern Poetry Review, Lips, and several anthologies including Choice Words (Haymarket Books, 2020) and What They Bring: The Poetry of Migration and Immigration, IP Books, 2020). Her essay, “Randall Jarrell and Adrienne Rich: A Found Guide to Mutual Admiration,” was published in the Fall 2019 Hudson Review. Poetry awards include the 2017 Gretchen Warren Award (New England Poetry Club), 2016 Tiferet Journal Poetry Award, 2008 Lois Cranston Poetry Award for “Finding Wilfred Owen Again,” selected by Ursula Le Guin, and fellowships from the New Jersey State Council on the Arts and the Virginia Center for the Creative Arts (2008, 2016, 2020). She is president of the Sandisfield Arts Center, a small arts center in western Massachusetts, and lives in Sandisfield and Chapel Hill, North Carolina. Website: www.hildeweisert.com