Christopher Buckley

After Ungaretti
December 23, 2024 Buckley Christopher

After Ungaretti

 

For the sake of argument, which
is really all we have,

 

let’s acknowledge that we are variations
on next to nothing . . .

 

even if, for a minute to two, we agree
there’s a God out there

 

behind a madhouse of solar winds who
must be amused with

 

our befuddlement, moving the night around
behind a marquetry of light . . .

 

even if the poet is correct in saying that
the soul is used and foolish.

 

Like an arpeggio of clouds passing in front
of the moon, I believe

 

a fraction of what I’ve told myself, walking
on the edge of the earth,

 

edge of the sea. . . .  The cemetery on the cliff
above holds the defeated

 

flowers, the souls who have lost their luster,
once as bright as rain. In all

 

the time I’ve sat here thinking, no one has
explained that—we go

 

toward the dark, an open door, the road mostly
behind us now . . . we go grey

 

as sand and cast no shadow.  But please, go ahead,
take my seat, tell me what

 

you make of things from here—leaves, clouds, stars
all falling from the sky. . . .

Christopher Buckley’s most recent book is One Sky to the Next, winner of the Longleaf Press Book Prize, 2023. He has recently edited: The Long Embrace: Contemporary Poets on the Long Poems of Philip Levine, Lynx House Press, 2020; and NAMING THE LOST: THE FRESNO POETS—Interviews & Essays, Stephen F. Austin State Univ. Press, 2021.