Wendy Barker

Barker Wendy

Wendy Barker‘s seventh collection of poetry is Gloss (Saint Julian Press, 2020). Her sixth collection, One Blackbird at a Time, received the John Ciardi Prize for Poetry (BkMk Press, 2015). Her fifth chapbook is Shimmer (Glass Lyre Press, 2019).  An anthology of poems about the 1960s, Far Out: Poems of the ’60s, co-edited with Dave Parsons, was released by Wings Press in 2016. Other books include a selection of poems with accompanying essays, Poems’ Progress (Absey & Co., 2002), and a selection of translations, Rabindranath Tagore: Final Poems (co-translated with Saranindranath Tagore, Braziller, 2001). Her poems have appeared in numerous journals and anthologies including The Southern Review, Nimrod, New Letters, Poetry, Prairie Schooner, and Plume, as well as The Best American Poetry 2013.  She is the author of Lunacy of Light: Emily Dickinson and the Experience of Metaphor (Southern Illinois University Press, 1987), as well as co-editor (with Sandra M. Gilbert) of The House is Made of Poetry: The Art of Ruth Stone (Southern Illinois University Press, 1996). Recipient of NEA and Rockefeller fellowships among other awards, she is the Pearl LeWinn Endowed Chair and Poet-in-Residence at the University of Texas at San Antonio, where she has taught since 1982.

 

  • ON SILVER SPOONS

    The Golliwog spoon, we called it, the handle shaped like a head with heavy-lidded eyes and a thick-
  • LITTLE PIECES OF STRING TOO SMALL TO BE USED | INCEST | HER LISTS | BIRD SONGS

    Granny's label on a box in her attic.
  • ON THE RMS QUEEN MARY | LATENT IMAGE

    I'm exploring the decks, the ship docked in Long Beach since '67. Same liner Mom sailed in '39 from England to
  • SUNDAY LUNCH AT MOM’S COUSIN DINNIE’S: JUNE 1969 | “ELEGANT,” SHE SAID

    I hadn't yet recovered from a concussive first year teaching ninth-grade English