Wayne Miller

On History
December 27, 2024 Miller Wayne

On History

 

1

 

His father’s boss was a Millerite—
assured of the imminent apocalypse—

 

which is how Peter and his parents
came to be among the crowd

 

that day on Brighton Hill
waiting to be lifted to God

 

and into the clarity of story.
They stayed all afternoon,

 

small flights of birds
passing overhead. Mr. Jackson

 

kept saying soon, but by nightfall
the oat cakes and lemonade

 

were gone, and hunger
had become a weight

 

that could no longer be ignored.
This was the afterlife

 

they were lifted into: Peter’s father
left the factory for another job,

 

they moved across the river.
The narrow moment of that day

 

kept swinging like a pendulum—

 

 

2

 

Last week, a violent mob
of thousands stormed the Capitol.

 

They wore sweatpants and flags,
puffer coats and tactical gear.

 

If I ignore the details of their chants
and the silliness of their face paint,

 

they become a historical form.
That policeman on the television

 

being crushed in a doorway
over and over is trapped inside

 

of history. If you feel nothing
for him, then you are inhuman.

 

Yet all of us were pushing
from one side or the other.

 

 

3

 

Peter—that boy I read about
in a book on the history of Cincinnati—

 

came to see October 22, 1844,
as proof of his parents’ incurable

 

weakness. They, meanwhile,
believed the rest of their lives

 

to be an enduring humiliation—
how could they have been so foolish?

 

And yet: many others
made of the experience a church.

Wayne Miller is the author of six poetry collections, including We the Jury (Milkweed, 2021) and The End of Childhood, which is forthcoming in March 2025. His awards include the UNT Rilke Prize, two Colorado Book Awards, a Pushcart Prize, an NEA Translation Fellowship, six individual awards from the Poetry Society of America, and a Fulbright to Northern Ireland. He teaches at the University of Colorado Denver, co-directs the Unsung Masters Series, and edits Copper Nickel.