Olga Maslova

You Don’t Travel Light, Life
August 23, 2023 Maslova Olga

You Don’t Travel Light, Life

 

is a cumbersome business.
Your slight frame of five feet four,
a hundred and eight pounds
needs the support of many anchors,
like the bells on the feet of a medieval falcon
from the print in the Vatican’s gift shop
you saw on your first trip to Rome
after you had abandoned your tenure
to the bewilderment of colleagues.

 

Golden bells, masked as an adornment,
are fastened tightly to track the bird’s movements,
in case he ventures beyond the map’s crumpled corners
steering off the sky’s starry surface:
on the other side of the blue damask
seraphs are busy with housekeeping.
When angels roll the sky to take to the carpet cleaners,
together with the sun, moon, stars, and planets,
what’s left behind, what shape,
is it a square? rectangle? like the one
above your desk, from where
you moved my photo to the basement?

 

Wallpaper there is a deep sage color,
pristine, untarnished, not worn out
by sun and air and your daily greetings:
“good morning, love,” “good night, mon coeur,
je t’aime.
Sometimes what is removed becomes
a perfect space for something else:
at fifty-four your breasts
were gone, and the remaining hollows
turned out to be a perfect match
to vessel mine,
we both were happy.

 

On the wrong side of the sky
the falcon’s golden bells are dull,
no tintinnabulation
is heard. Just endless silence.
It seems so easy, all one needs is rope.

 

And yet you choose to live,
your white shirt billows
like sails over the tight hull
of your black jeans.
You step on crumbling Roman stairs,
clutching tightly the framed print
of that falcon, one of many
provisions for the day, with which
you load your suitcase for the journey,
among them white t-shirts, one for each day,
jeans, blue and black, all washed and ironed,
the wholegrain pasta, organic sugar, olive oil,
Bach’s rescue remedy, for your immune protection:
all this cargo, requiring a day-to-day attention
takes the place of tiny perfect breasts.

Olga Maslova is a Ukrainian-American writer and theater designer. Born and raised in Kharkiv, Ukraine, she holds a BFA in directing from Ukraine, an MFA in dramaturgy from SUNY at Stony Brook, and an MFA in costume and set design from NYU. She is a 2021/2022 Fulbright Fellow. Olga is the librettist of several large-scale vocal works, including an opera, Black Square, an oratorio, The Last Day of the Eternal City, and an art song cycle, Venetian Cycle. Olga’s poem “Tokyo Prepartum” won second place in the Frontier Poetry 2023 Ekphrastic Poetry Prize. Her poetry has appeared in New Ohio Review, New American Writing, Plume Poetry, The Coachella Review, Strange Horizons, ONE ART, Passengers, and others. Back in Ukraine, Olga worked as a metal turner of the 3rd rank, a theatre instructor at the Kharkiv Juvenile Detention Center for Girls, and a theatre instructor in one of the first Russian Waldorf Schools. She now teaches costume design at the University of Illinois at Urbana-Champaign.