Tom Sleigh

Old Man Swimming
July 23, 2022 Sleigh Tom

Old Man Swimming

 

1
When the Old Man of the Sea shapeshifting on the bottom
felt gliding over him the shadow of the very
first boat, he stared up at the hull, sensing his time
would soon be over. Now that I’m nearly

 

an old man, I watch my shadow slide over an old real estate
sign torn in two and feel almost exhilarated
that the water that buoys me up
drags me down. Limbs and boulders leap

 

from murk and blur, clouds in the water
turn to pillars of fire as receding
behind me face after face of every face I’ve ever worn

 

is doomed to keep transforming
until every last emotion I ever felt has been
made clear, then disappears, water into water.

 

2
A mangled piece of metal flashing up from muck
reminds me of the masks, the curved metal cheek
fitted over naked bone, that soldiers
used to wear after the Great War,

 

the prosthetic face painted to match
the undamaged flesh right down to the cheek’s
shaven, bluish tinge, the mask as lifelike
as it was lifeless—and yet that was enough—

 

so that one man wrote his mask-maker:
“Thanks to you, I still have a home.
The woman I love no longer

 

finds me repulsive, as she had a right to do. It even seems
to me that sometimes I can feel
a breeze touching my cheek as if it were real.”

 

3
Sun tremor in the reeds, subtle
underwater shocks slowly spreading
across the surface of the lake. Your own double
consciousness doubling back, accusing, flattering,

 

insinuating no plea for innocence will be
allowed. The night bombs fell, the factory
exploding, the cop in his riot gear
talking into his walkie talkie, the scar

 

on your own cheek flashing in the light. The breeze
freshens and blows the water into scallops,
peaks cresting, subsiding…the wind drops,

 

the water glasses off, the sheen
hurts your eyes, you swim away from the blaze
into more blaze spreading on and on to the horizon.

Tom Sleigh’s many books include the 2023 Paterson Poetry Prize winner, The King’s Touch, House of Fact, House of RuinStation Zed, and Army Cats, all from Graywolf Press. His most recent book of essays is The Land Between Two Rivers: Writing In an Age of Refugees, which recounts his time as a journalist in the Middle East and East Africa. His awards include a Guggenheim, two NEA grants, Kingsley Tufts Award, Shelley Memorial Award, and both the Updike Award and Academy Award from the American Academy of Arts and Letters. His poems appear in The New YorkerThe Atlantic, ThreepennyPoetry, and many other magazines. He has both a memoir and a new and selected poems forthcoming. A Distinguished Professor at Hunter College, he lives in Brooklyn, NY.