Jane Hirshfield

A Brief Portfolio
January 22, 2025 Hirshfield Jane

A Crow Is Loud

 

    “Accept for joy from these, my outstretched hands, / A little sunlight and a little honey”

–Osip Mandelstam

 

I don’t know what the crows were arguing over
so early this morning.
I understood only the loudness.

 

It must have had something to do with not-enough
or not-us—most arguments do.

 

A crow is loud and almost never lonely.

 

In this world where even enough
hurries too quickly into either too much or vanished,
I throw a little salt on their dark wings.

 

 

 

Circumscribed Hour

 

A circumscribed hour, a parapet nothing leans over or into.
The sky is above the trees, just as it should be.

 

Cherries ripen.
Gravity holds close its hatchlings.
Slaughter sleeps this one moment among its nightmares.

 

The dead forgive us. Even the future’s dead forgive us.

 

 

 

Where We Have Come To

 

At least five people were killed and another 25 were injured in a shooting late Saturday at an LGBTQ
nightclub in Colorado Springs … all in all, Thanksgiving week has seen 22 people killed and 44 injured.
The Guardian, 11/20-23/2022

The quadruple homicide happened at a marijuana farm 1.5 M north of Lacey. Kingfisher Count,
Oklahoma. Victims all Chinese citizens. Suspect arrested in Miami Beach on 11-22-22.
gunviolencearchive.org/incident/2464943

The bodies of the gunman and two victims were found in an employee break room, authorities said, and
another near the front of the store. Three died after being taken to nearby hospitals.
New York Times, 11/23/22

 

What wall lay flowers to the foot of?

 

What ink color the words?

 

How living remember?
How carry its saying?

 

Those who have lain down
their names
are armless and handless.

 

This wet cheek,
whose?

 

Has it, where you are, been raining?

 

And what do you ask of us
now,
from where you are,
from where we have come to,

 

and is there still asking?

 

 

 

Trains Leave. Airplanes Leave.

 

Trains leave.
Airplanes leave.
Trotting and wagging dogs.
People leave, also.

 

One, another. You.

 

Today, tomorrow, don’t matter.
Days just keep departing.

 

And still the city is never empty.

 

Where was it I thought
away is?

 

Rummage every drawer,
you still won’t find it.

 

 

 

Extinction / Roget’s Thesaurus, 1925

 

Again, I lift the thesaurus.
Its cover still gone,
with half the several prefaces and introductions.
At the other end, the index after “unn.”
Dispensable does fine to describe it
if you don’t have unneeded—so long as
you still can think of “dispensable” on your own.
You can’t know which of your thoughts have gone missing.
You can’t know which of your beings.
The way a person missing
half their field of vision doesn’t know it’s not there.
A salt marsh vanished. A species of lily or beetle.
And still, in these foxed pages,
inconceivable, immeasurable, invisible,
are not non-existent, negligible, or nevertheless.
You don’t miss what’s missing.
You miss what’s become not here.
A volume that grows ever larger.

 

 

 

You wanted to be an accomplice.

 

Imputable, guilty as charged.
To have left ungloved a fingerprint on this world.

 

Numinous:
at its root, the act of nodding.

 

As if God’s inexhaustible alibi—Yes, I was here.

Jane Hirshfield, described in The New York Times Magazine as “writing some of the most important poems in the world today,” is the author of ten books of poetry, most recently The Asking: New & Selected Poems (Knopf, 2023); two now-classic collections of essays, Nine Gates: Entering the Mind of Poetry (HarperCollins, 1997) and Ten Windows: How Great Poems Transform the World (Knopf, 2015); and four books presenting the work of world poets from the deep past.

Among American poetry’s central spokespersons for issues of the biosphere, climate, and interconnection and the founder in 2017 of Poets for Science, a traveling and online interactive project, Hirshfield is also a poet of interior and daily life in all its dimensions. Her honors include the Poetry Center Book Award, the California Book Award, Columbia University’s Translation Center Award, finalist listing for the National Book Critics Circle Award and long-listing for the National Book Award. She’s received fellowships from the Guggenheim and Rockefeller foundations, NEA, and Academy of American Poets. In 2024, she was given the Zhongkun International Poet Award, China’s premiere independently-given honor for a world poet, whose previous recipients include Yevgeny Yevtushenko, Adam Zagajewski, Shuntaro Tanikawa, Yves Bonnefoy, and Adonis. Her work appears in The New Yorker, The Atlantic, The New York Times, The New York Review of Books, The Nation, Poetry, and ten editions of The Best American Poems.

A presenter at universities and festivals worldwide, Hirshfield’s work has been translated into eighteen languages. Her TED-ED animated lesson on metaphor has been viewed over 1.5 million times. A former Chancellor of the Academy of American Poets, she was elected in 2019 into the American Academy of Arts & Sciences.

 

Photo: © Curt Richter