Rachel Hadas

Moving the Piano and From the Cliff
May 22, 2023 Hadas Rachel

Moving the Piano

 

Compact and gleaming, black and white,
this sturdy Yamaha upright
stood staunchly in one room for years
until, maneuvered through several doors
today by two young, slender men
and up a ramp into a van,
it ventured briefly out into the air again.

 

The change of space, the space of change:
The walls look naked, empty, strange.
Heavy has given way to light.
Habitual solidity
too familiar to see
yields to possibility
too unfamiliar to see.

 

Late and early, early, late,
end, beginning – all are swirled
into a mist that veils the world.
The black and white of status quo
blends to a color I don’t know,
transition that I cannot name,
but I salute it all the same.
Goodbye, piano, and hello.

 

So where is the piano going?
Where will it find another life,
music and memories unpacked
in an unfolding second act?
North Carolina, near a river
whose stream, like time, is always flowing.
My son lives there with his wife.

 

Beloved, nothing lasts forever.
You can’t step twice into this life.

 

 

From the Cliff

 

Dear friend, you liken the sensation
of having a pregnant daughter
to standing in a high place looking out
over wide water

 

as your child, now a woman, sails away
out of sight with her new family
and into the unknown.

 

I see it too,
the shining blue that stretches far below.
In this high place you and I
feel exposed to all the winds that blow.

 

Our children sail away.  And when we too
venture out to sea,
will each vanish from the other’s view?

Rachel Hadas’s most recent book is “Ghost Guest” (2023).  She has two new books on the horizon: “Forty-four Pastorals” for late 2024, and a prosimetrum, alternating prose and poetry, “From Which We Start Awake,” in 2025.  She taught  English for many years at the Newark campus of Rutgers University, and is currently Original English Verse Editor of “Classical Outlook.”