Readers —
Welcome to Issue # 24 of Plume.
As you will soon see, this issue marks an anniversary: we are two years old. And with what does one commemorate such a (meager) milestone? Why a “special” issue, of course: a dreaded term, yes? And one I have promised to avoid — and until now a promise I have kept: no contests, no advertisements, no themes, no spe…ah. There. Still, forgive me if just this once we produce a Plume just the slightest bit out of the ordinary: we will return to form in July. But for now — as a gift to ourselves, but also to you, readers, and in gratitude for those who believed in Plume from the outset — took a leap of faith — we reprise our initial issue, featuring most of the poets represented there: Amy Gerstler, Christopher Kennedy, Denise Duhamel, Kimberly Johnson, Mark Jarman, Nin Andrews, Rae Armantrout, Stuart Dybek, and Terese Svoboda. Ricardo Pau-Llosa, John Skoyles, and Juan Felipe Herrera make an even dozen. Or thirteen, including as we do our “Featured Selection” poet Rachel Hadas. Charles Bernstein’s submission arrived too late, alas, to be included in this issue as it would have been, but, as his recent email states, he is with us “in spirit.” We’ll run his poem next month.
This month’s cover art is from Robaldo Enrique Rodriguez, (b. HolguÃn, Cuba, 1964) a graduate of the Instituto Superior de Arte in Havana. He left Cuba for Spain in 1991, where he had a distinguished career. He presently lives in Miami. More at: robaldorodriguez.com.
The above-noted “Featured Selection” this month is “Ten Poems”, from the marvelous Rachel Hadas. Along with the works themselves we include an email interview I conducted recently with Ms. Hadas.
To whet your appetite, a brief review of her new book, The Golden Road, from the NY Times Book Review:
THE GOLDEN ROAD
Poems.
By Rachel Hadas.
TriQuarterly/Northwestern University, paper, $16.95.
Hadas is sometimes classified as a New Formalist, but it’s a misleading and restrictive label, seeing as how she has mixed free and formal verse ever since her 1975 debut, “Starting From Troy.” Some of her previous 14 volumes possess cool, classical surfaces and meditate like essays in abstract language. Still, her best poems have always used form to control the undercurrents of feeling and have increasingly fixed on the personal – love, loss and the sublime, including the uncanny power of dreams, her own and “some unguessed-at stranger’s.” The most powerful poems in her latest book, “The Golden Road,” build from “Strange Relation,” her 2011 memoir of her husband’s decline into dementia. “Boston Naming Test” reprises the facts of one chapter but transforms them forcibly: her husband’s silence becomes “a sheet of paper either blank / or scribbled over with an alphabet / nobody can read” and “a calm sea / closing over your head.” Her array of metrical forms is impressive too, but she deploys them flexibly so that some seemingly free poems are really measured, with varied line lengths. This powerful, autumnal book ends elegantly: the title poem makes Hadas’s personal story universal through the archetypes of season, sunlight and a curving road, where the speaker sees her son coming the opposite way and grasps how “the living pass the dead.”
Matthew Brennan is the author of “The House With the Mansard Roof,” a collection of poems, and “The Sea-Crossing of Saint Brendan,” a verse-narrative.
And it seems this new “Featured Selection” has caught on — a number of readers have commented that is their favorite section of Plume. Who knew? As usual, an idea that popped into my very small mind one day, and after making the usual rounds of our various staff committee, and upon receiving and poring over their well-considered reports… I kid: we just thought it might be good and so here it is. In fact, aside from those already in the queue, we have on tap a multi-media presentation (visual art/jazz improve accompaniment to the poems) from Hank Lazar and an intriguing poem series written from the POV of Gregor Samsa from Christopher Kennedy. As you know, we remain open to your suggestions: if you have an extended-form project — review, graphic poems, collaboration, video, etc. — that you believe would suit the format, please do send to us at plumepoetry@gmail.com.
We are happy to note that David Cudar return with book recommendations this month, with, on the horizon, occasional long-for reviews of books of interest. Many thanks to Ron Slate for allowing me to make a few recommendations of my own (along with 29 other poets, editors, and reviewers) on his website, The Seawall.
Here are David’s selections for this month:
Let’s Explore Diabetes with Owls by David Sedaris
Sedaris has entered the Pantheon of comic satire. There is a quality about his writing which, like a hybrid of Montaigne and Thurber, is sophisticated and devastatingly hilarious. His deprecating “auto-biographical” accounts of everyday life allow virtually all of us see ourselves within each anecdote. This book, like all his others, is simply brilliant.
The Interestings by Meg Wolitzer
A coming-of-age story, which asks the question: “What happened to the world while I was growing up?” The story is a smart and nuanced novel about the ritual of childhood, the promises we make to never lose our connection. The Watergate scandal and the post-American loss of innocence anti-rhythms offered a counter narrative. The Virgin Suicidespeppered with The Big Chill. It is ambitious, stealthy, and perceptive, but most of all authentic.
The Orphan Master’s Son by Adam Johnson
An epic and daring novel that subverts identity and will dazzle the reader with an unforgettable landscape of North Korea, making it more than a news sound-bite with a fill-in-the-blank bad joke. Winner of the Pulitzer for its penetrating look into the secret spaces of the human heart.
The Blood of Heaven by Kent Wascom
A most impressive debut novel, historical fiction unruly with inventiveness, The Blood of Heaven tells of the formation of US south, an area once called West Florida. The author, only 26, has crafted a gripping love story of a young man struggling through the tangled religious ferocity to find his place in the turbulent and violent world of a young America. Cormac McCarthy and O’Connor come to mind.
Cities Are Good for You by Leo Hollis
Hollis has written a book that indicates cities are where 70% of the world’s population will be living by 2050. The book is a mélange of interviews, history, scientific data, and anecdotes, which sometimes hint and other times claim: that cities are the way of the future. Unlike the vegetable paradise of our own, the Romantics or the terrified speculations of the Modernists, Hollis, like Buckminster Fuller, presents evidence that cities are good for us. An interesting book, but I’m still stock-piling my bunker with water.
The Unknown University by Roberto Bolaño
The Unknown University is the deluxe edition of Bolaño’s poetry. Poetry he always considered as the superior art form. Like many geniuses, Bolaño wanted the outlet he could not fully possess, and had he been a less brilliant novelist, this book would be as excellent in many ways indeed: he freely crossed boundaries writing stories in verse, poems in prose, and pieces of micro-fiction. And as is the case with any master, Bolaño was sui generis. This book, like all his others, is well worth reading.
The Language of Flowers by Vanessa Diffenbaugh
As the title suggests, this is a book about the language of flowers, the Victorian language for flowers. A debut novel that opens a field of lost signification. Certain flowers have meaning: romance, grief, mistrust, solitude. Traveling back and forth in time within the narrative, the reader learns the history of the semiotics of flowers, but also the possibility of redemption for a lost soul.
My Struggle: Book One by Karl Knausgaard
Part one of a six-part series. Knausgaard, 44, has been compared to Proust. Knausgaard is something of a rarity, speaking painfully and plainly honestly of his desires to consider death, fear, failure, love. Painfully honest, ruthless, and avoiding irony, he wrestles with the sheer banality of life, those ordinary moments that flitter by because we cannot tolerate them. Like a surgeon operating upon himself without anesthesia, Knausgaard wants to find the vivid spot where life lives without denial — a masterpiece!
Oblivion by Hector Abad
Twenty years in the writing, Héctor Abad Oblivion is a memorial to the author’s father, Héctor Abad Gómez, whose criticism of the Colombian regime led to his murder by paramilitaries in 1987. The book paints an unforgettable picture of a man who followed his conscience and paid for it with his life during one of the darkest periods in Latin America’s recent history.
Home by Toni Morrison
A luminescent book. Morrison’s gifts are as visionary and majestic as they have ever been. There is a starkness about her prose that loses none of her signature gorgeous and poetic heft. It seems that her concision has only made her prose better, and touches on themes from The Bluest Eye to Beloved. It is a wonderfully executed and unflinchingly examination of the painful human condition.
For new work received — apart from the generous offerings of those already noted — poets who, by the way, had a very small window to get their work to me, as, well, the idea to do a “special” issue did not arrive in my mind until a few weeks ago, per usual — please see the Editor’s Note.
Last — the list below, admittedly repeated in that Editor’s Note (I wanted to reach everyone, and if you’re like me, the Editor’s Note is not always the first item to which I turn): a list of all who have appeared in our pages since that initial issue or soon will— poets, translators, visual artists. I must say, I’d never seen, or thought to look for, the contributors in a single setting. To say this is an impressive roster would be boastful, I know — so I’ll refrain… And yet, much, much less about Plume’s success, such as it is, than an opportunity to recognize and to thank — at once — these generous artists for their work.
Addonizio, Kim Agodon, Kelli Russell Allen, Dick Alexander, Meena Alexander, Pamela Alexie, Sherman Anderson, Nathalie Andrews, Nin Angel, Ralph Armantrout, Rae Armitage, Simon Arnold, Elizabeth Arvio, Sarah Atkinson, Jennifer Aygi, Gennady Babcock, Julie Baggott, Julianna Baker, David Balakian, Peter Ball, Angela Barbarese, J.T. Barker, Brian Barnes, Annette Bass, Ellen Beeder, Amy Behn, Robin Bernard, April Bernstein, Charles Bertolino, James Black, Sophie Cabot Bliunus-Dunn, Sally Bogan, Don Bohince, Paula Bolt, Thomas Booker, Stephen Todd Bonnefoy, Yves Borer, Alain Boruch, Marianne Bosch, Daniel Bourne, Daniel Broek, Michael Buckley, Christopher Bursky, Rick Byrd, Sigman Cairns, Scott Calaferte, Louis Calbert, Cathleen Campo, Rafael Cassian, Nina Causey, Carrie Char, Rene Charlesworth, Sarah Chernoff, Maxine Chirinos, Eduardo Christopher, Nicholas Chuan, Xi Cigale, Alex Clark, Patricia Claus, Hugo Codrescu, Andrei Cohen, Andrea Collier, Michael Collins, Billy Collins, Martha Colmer, David Cook, Rebecca Cooley, Nicole Cooley, Peter Crawford, Tom Cruz, Cynthia Culhane, Brian D’Aguiar, Fred Du Bouchet, Andre Di Piero, W.S. Daniels, Jim Davis, Christina Davis, Lydia Dawes, Kwame Debelja, AleÅ¡ Dennis, Carl Derry, Alice Dimkovska Lidija Dobyns, Stephen Dolven, Jeff Donnelly, Patrick Dubie, Norman Dubrow, Jehanne Duhamel, Denise Dunn, Stephen Dybek, Stuart Eady, Cornelius Emerson, Claudia Equi, Elaine Estes, Angie Etter, Carrie Finch, Annie Fischerova, Sylva Flenniken, Kathleen Ford, Katie Freeman, Molly Lou Friebert, Stuart Fried, Daisy Frost, Carol Gallagher, Tess Galassi, Jonathan Galvin, Brendan Galvin, Martin George, Alice Rose Gerstler, Amy Gibbons, Reginald Goldberg, Beckian Fritz Goodyear, Dana Greenbaum, Jessica Gorman, Al Griswold, Eliza Graham, Jorie Groom, Kelle Grotz, Jennifer Hacker, Marilyn Hadas, Rachel Hahn, Kimiko Hambly, Barbara Harrison, Jeffrey Harrison, Leslie Hecht, Jennifer Michael Hejinian, Lyn Henry, Brian Herrera, Juan Felipe Hicok, Bob Hillman, Brenda Hirshfield, Jane Hoagland, Tony Hoover, Paul Howe, Fanny Howell, Christopher Huddle, David Hudgins, Andrew Hummer, T.R. Hunt, Laird Irwin, Mark Jarman, Mark Johnson, Kimberly Johnston, Devin Jollimore, Troy Jordan, Judy Kallet, Marilyn Kapovich, Katia Kasischke, Laura Kendall, Stuart Kennedy, Christopher |
Kenney, Richard Khoury-Ghata, Vénus Kinsella, John Kirby, David Klein, Lucas Knox, Jennifer L. Krisak, Len Krolow, Karl Kronen, Steven Lamon, Laurie Larkin, Joan Larsen, Lance Lasky, Dorothea Laux, Dorianne Lazer, Hank Lea, Sydney Lee, Karen An-hwei Levin, Phillis Levitan, Alexis Liardet, Tim Lifshin, Lyn Liu, Timothy Logan, William Longenbach, James Lux, Thomas Mackey, Mary Malroux, Claire Manning, Maurice Martin, Diane Mathis, Cleopatra Matsuda, Lawrence Maulpoix, Jean-Michel Maxwell, Glyn Maynard, Christopher McCombs, Davis McDuff, David McGrath, Campbell McLane, Maureen McPherson, Sandra Meinke, Peter Meitner, Erika Mendes, Guy Miller, Wayne Minda, Ana Mlinko, Ange Moldaw, Carol Motion, Andrew Muhlin, Jay Muldoon, Paul Muratori, Fred Muske-Dukes, Carol Nooteboom, Cees Novey, Idra Nurkse, D. Nutter, Geoffrey Olds, Sharon Orlowsky, Dzvinia Ossip, Kathleen Ostriker, Alicia Padel, Ruth Pankey, Eric Papadopoulos, Melina Parini, Jay Pastan, Linda Pau-Llosa, Ricardo Peacock, Molly Perros, Georges Phillips, Carl Piercy, Marge Pinsky, Robert Polonskaya, Anzhelina Powell, D.A. Prufer, Kevin Pugh, Christina Purpura, Lia Raab, Lawrence Racz, G.J. Raeber, Kuno Revell, Donald Rios, Alberto Rivard, David Rocha, Flávia Rodriquez, Robaldo Enrique Rogers, Hoyt Rosser, J. Allyn Rossini, Clare Sadoff, Ira Sala, Jerome Å alamun, Tomaž Salter, Mary Jo Sarishvili, Maya Schulman, Grace Schwartz, Lloyd Seaton, Maureen Serpas, Martha Seshadri, Vijay Shapiro, Alan Shapiro, David Sharp, Meighan Sheehan, Julie Shumate, David Simmons, Laurie Skinner, Jeffrey Skloot, Floyd Skoyles, John Slate, Ron Sleigh, Tom Smith, Bruce Smith, Charlie Smith, Michael Smith, Ron Smith, R.T. Snidjers, A.L. Spaar, Lisa Russ Spires, Elizabeth Springer, Jane Stanton, Maura Starzinger, Page Stine, Alison Svoboda, Terese Swensen, Cole Sze, Arthur Szybist, Mary Tafdrup, Pia Taren, Michael Thomas Taylor, John Tobin, Daniel Trakl, Georg Trowbridge, William Twichell, Chase Ulanov, Alexander Upton, Lee Valentine, Jean Vogelsang, Arthur Vreuls, Diane Wachtel, Andrew Wagoner, David Wakoski, Diane Waldrep, G.C. Waldrop, Bernard Waldrop, Rosmarie Warren, Rosanna Weigl, Bruce Wunderlich, Mark Young, C. Dale Young, David Yu, Hsia Zapruder, Matthew Zeqo, Moikom |
Many thanks, as always — and I do hope you enjoy the issue — despite its frightening “special-ness.”
Daniel Lawless
Editor, Plume