Ron Smith

July 24, 2017 Smith Ron


Think as a mortal.” “Benefit yourself.” “Grieve for nobody.”


Gone, even the singing fountain, here

between the goat carcass

and the olive stump. We

brought our questions here

where there is no one,

of course, to answer them. Don’t think

we’re surprised. Death doesn’t

deny us, but Death, that trickster, has

come and gone. And nobody knows


we’re here, right here


in our aching, in our ragged

breathing after the climb. Fibrillation,

failure sustain us, and for that we are

grateful. We hear no

cries of dying, of orgasm, no

cicadas even, hardly a windwhisper, though

it’s true we’re no great shakes

as auditors anymore.


I think we’re ready.


So, why, my love, are you combing

your hair? The blank sky doesn’t care

what you look like. It never knew

your beauty, and it will not bend.

I will, though. I did. Kiss me one more time,

after all these years.

Kiss me. Then,

we will, leaning together, groaning together,







She hates

Savannah, hates her mother’s

unshakable strength, hates

that boy who sends her postcards:


Lindberg, she heard a man say, a woman say,

was a great man, was a traitor.

When the front page screamed WAR!

even she was scared

for a couple of days.

Japs killed 3,000 Americans.

Where? And what were Americans

doing over there?

Her mother

wheezed, boiling corn.

Broughton Street had a scarecrow wearing a button:


People’re getting bad, her mother frowned,

war’s making them mean and low.

She liked the big button

on her father’s torn coat when

he leaned into the room,

a black badge with red letters:


She loved Daddy’s crooked smile, but Mother

made him leave again because he smelled

like whiskey.

She saw Santa on a poster

squeezing the air out of Adolph, stomping

with one boot a bald Mussolini.

Would she get anything

she wanted this year?

Saturday Evening Post showed a boy her age

holding a black comb to his upper lip,

his other fingers shaped into a gun

at his own temple. None of her brothers thought

it was funny. Hitler-boy

had the happiest eyes!

Nothing ever makes sense.

Nevertheless, seventeen, my father will leave the farm,

will somehow survive Guadalcanal,

somehow find this girl in Savannah

plugging wires into a board,

and, eventually, somehow, they will

make this poem.

Ron Smith’s book That Beauty in the Trees was published in 2023 by Louisiana State University Press. His The Humility of the Brutes, Its Ghostly Workshop, and Moon Road were also published by LSU. Smith’s poems have appeared in many periodicals, including The Nation, Kenyon Review, Georgia Review, Five Points, and Arts of War & Peace (Université Paris Diderot). He is currently Consultant in Poetry and Prose at St. Christopher’s School in Richmond, Virginia, and Poetry Editor for Aethlon: The Journal of Sport Literature. In recent years he has partnered with the Virginia Museum of Fine Arts to present poems associated with Man Ray’s Paris years and its “The Horse in Ancient Greek Art” exhibit. From 2014 to 2016 Smith was the Poet Laureate of Virginia.