Kimiko Hahn

Three Poems
May 24, 2025 Hahn Kimiko

Heading Towards a Line from Lynn Emanuel’s Poem “Out of Metropolis”

 
We’re headed to a stack of paper we call a reem
 
We’re headed to a stack of post-its we call post-memory
 
We’re headed to a stack called a chimney and no geezer in Red (the season notwithstanding)
 
(Also, a stacked deck …)
 
We’re headed to The Yellow Submarine–and hopefully not The Red Subjugation
 
We’re headed for the polls and poles–
 
We’re headed to the stars–no, I mean, Mars
 
We’re headed to post-science
 
We’re headed towards heading but not heading off idiocy
 
Further, unless we find “good trouble”
 
We’re headed for empty-headedness

 

 

 

A Pantoum with Two Lines from Bishop’s “Sestina”

 

The grandmother sings to the marvelous stove
And the child draws another inscrutable house.
The rooms remind her of a tidal cove
with slippery slimy scuttling things.

 

And the child draws another inscrutable house.
“This not where I reside but it is my home
with slippery slimy scuttling things.
Salt water more then less. Occasional ripples.”

 

This not where I reside but it’s home
to shards of shells and sandy muck.
Salt water more then less. Occasional rippling
over canopy bed and bed clothes.
 
The grandmother sings to the marvelous
–to shards of shells and sandy muck.
The rooms remind her of a tidal cove
over a canopy bed with curtains closed.

 

 

 

After Stevens’ Snow Man
an abbreviated glosa with Wallace Stevens

 

One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

 

I think of that nothing as air
or the vacuum of outer space
(though we see it’s stuttered
with planets and stars).
One must have a mind of winter

 

we hear, to get nothing, how
it’s as blank as a mother. As
breath. As latitude.
I consider nothing as I bow
To regard the frost and the boughs

 

as a sympathetic zero.
As Stevens’ jar on a hill
in Tennessee. As an ibis,
cockatoo and hoary flamingo
on the pine-trees crusted with snow

Kimiko Hahn is the author of eleven collections, most recently The Ghost Forest: new and selected poems. Her subjects range from identity to current events to science. In the new work, she continues to play with Eastern, Western and hybrid forms–and she invents new forms that pay homage to past writers. Among her honors is the 2023 recipient of the Ruth Lilly Prize for Lifetime Achievement from The Poetry Foundation and she is a Chancellor at the Academy of American Poets. Hahn teaches in the MFA Program for Creative Writing and Literary Translation at Queens College, City University of New York.