Jill McDonough

Notnames at the Detroit Institute of the Arts and Hell Fuckin’ Yeah:  Smackdown vs. Raw
March 25, 2021 McDonough Jill

Notnames at the Detroit Institute of the Arts

 

At the Detroit Institute of the Arts the Caravaggio’s no
great shakes. Mary Magdalene’s face looks wrong—too

 

smooth, cartoonish compared to the draped silks and her
hand real, thoughtful on the mirror. But The Master

 

of the St. Lucy Legend, Master of the Embroidered Foliage—long
ago we lost their names, still praise what they were known

 

for with notnames. “Notnames”: a real word I learned
for writing this. I think my favorite is Il Cronaca—The Chronicler.

 

That guy went to Rome the one time. Back in Florence,
he would not shut up about Roman ruins. Roman ruins

 

this, Roman ruins that: they forgot his real name.
Probably out of spite. There’s more: Master of the Games,

 

of Saint Cecilia. And then the Rivera Courtyard. Rivera: Master of What?
Sturdy bodies, monuments, monumental workers. Real faces tucked

 

in every corner. Good enough we didn’t throw it out
when he painted Lenin in that other one, gathering a crowd.

 

 

 

 

Hell Fuckin’ Yeah:  Smackdown vs. Raw

for Stacy Isenbarger and Alexandra Teague

 

Smackdown AND Raw. Mexicans coming out
on John Deere tractors. Strippers in boots
adorned with flames. Male strippers. Chip
and Dales. An oil tycoon—not an oil
tycoon—steps from a limousine
with his blonde be-moled young wife to fight
Darth Maul. Not Darth Maul. His face was
made up like Darth Maul. Okay. He
rips the mole off the tycoon’s wife
and eats it. She’s upset. Then this
bucket of earthworms is dumped on him
from the sky, or scaffolding. (Stacy
squints here, shows how he chews the ones
what land in his Darth Maul mouth.) At the
commercial break, the staff runs in,
folds up the paper the excess worms
fell on. It is amazing. One
guy has this huge fist, and you see
it, smoke coming out. It happened. 
It truly did. So you should go. 

Three-time Pushcart prize winner Jill McDonough is the recipient of Lannan, NEA, Cullman Center, and Stegner fellowships.  Her most recent book is Reaper (Alice James, 2017); Here All Night, her fifth collection, is forthcoming from Alice James Books.  She teaches in the MFA program at UMass-Boston and offers College Reading and Writing in a Boston jail. Her website: jillmcdonough.com