Plume

  • J. Allyn Rosser, Patricia Clark, Kim Addonizio, et.al

    J. Allyn Rosser on “The Central”   Maturation in America has at times seemed to me – certainly it did on the day I wrote “The Central” – a prolonged process of inuring oneself to disappointment. We are taught from the moment we first get shoved into kindergarten (shoved by that boy who regularly throws up his milk and cookies)

    Issue #77 December 2017
  • Adam Tavel, Benno Barnard, Wayne Miller, et.al

    Readers, as you will note, once more I have this month vacated my space in this note so that we might continue to offer a new element, instead: the authors of the poems (or translations, or both) speaking of their works’ origins, their raisons d’être. I think you’ll find the results fascinating, and enlightening, enriching your reading of the poems,

    Issue #76 November 2017
  • Editor’s Note

    Readers, as you will note, once more I have this month vacated my space in this note so that we might continue to offer a new element, instead: the authors of the poems (or translations, or both) speaking of their works’ origins, their raisons d’être. I think you’ll find the results fascinating, and enlightening, enriching your reading of the poems,

    Issue #75 October 2017
  • Editor’s Note

    Readers, as you will note, I have once again this month vacated my space in this note so that we might continue to offer a new element, instead: the authors of the poems (or translations, or both) speaking of their works’ origins, their raisons d’être. I think you’ll find the results fascinating, and enlightening, enriching your reading of the poems,

    Issue #74 September 2017
  • Editor’s Note

    August: and you’ll be pleased to discover, Readers, that you’ll be spared another chapter in the ongoing Lawless saga. Instead, a new direction, one which I hope will quickly become the direction: contributors speaking of the origins (for the most part, anyway) of the poems you are about to read in the issue. Enlightening – and fun, I hope. I

    Issue #73 August 2017
  • Editor’s Note

    July: and, given the length and discursiveness of last month’s note, a reprieve, Reader: the briefest of remarks this time – little more than two passing images as I write a few hours before our deadline. But, really, a way of answering if only to myself that hackneyed question all poets are confronted with from time to time: Where do

    Issue #72 July 2017
  • Editor’s Note

    June: and considering again my recent, um, ruminations of the centrality of cigarettes in my almost-teenager life in the latter sixties, I thought, tonight as I write, I might extend that reverie. Easy enough – after all, it was not only cigarettes that organized and ensorcelled those distant hours – from acquisition to accoutrements – but, of course, and for

    Issue #71 June 2017
  • Guest Editor’s Note: David Breskin on Campaign

    This month, for the second time in three months and in Plume’s relatively brief history, I happily step aside, offering this space instead to David Breskin, who fills it — admirably is far too feeble praise — with selected pieces from his work, Campaign. I confess, I was going to preface the poems with a few of my own thoughts

    Issue #70 May 2017
  • Editor’s Note

    April: and, alone in another city, lost (as usual) as I wander around the back of a strip mall, three figures huddled on a small loading dock provide my subject this issue: cigarettes, and their many pleasures in my youth. Maybe no surprise either (I am from Kentucky, after all) that it would be so – how many years I

    Issue #69 April 2017
  • Guest Editor’s Note: Chard deNiord on Tom Lux

    This month, with much to mourn, I happily cede this space to Chard deNiord’s remembrance of Tom Lux. Tom was going to read for us at AWP, before, well. I spoke at some length to Chard over those few days, learned of his long friendship with Tom, and discovered he had an essay we might publish – and here is

    Issue #68 March 2017
  • Editor’s Note

    February: yes, readers, the shortest month, and in acknowledgment of or rather aligning with such I want to offer today the briefest of these editorial missives on record. Not altogether coincidentally my note this time begins with a passage from last month’s fine Featured Selection of Bill Knott’s work, most ably introduced by Tom Lux. I’m sure this is the

    Issue #67 February 2017
  • Editor’s Note

    January: and as I write tonight, mid- December, winter or what passes for such in Florida. Far ahead of schedule on this Editor’s Note, for I want to have the issue behind me before heading to Louisville for the holidays. Although, really, I am already there, in a way, as I am, always. In the house I grew up in,

    Issue #66 January 2017