Inviting the Reader: Narrative Values, Lyric Poems by Sydney Lea
Inviting the Reader: Narrative Values, Lyric Poems by Sydney Lea The editor of an online journal recently asked 25 poets to complete the following in one sentence: “Poetry is…” Here’s what I wrote: “Nowadays, poetry consists of units of language that their authors call poems, and can range from conventional forms to prose poems and include anything in between.”
“Getting Stabbed Kinda Takes the Fight Out of Ya” by David Kirby
This month’s essay on voice by David Kirby emanates the confidence and tone of an accomplished poet who is also a master teacher. Astutely aware of the collusion that occurs between sight and sound in effective “voice,” Kirby cites one poignant example after another of the audible magic he calls “direct speech”— speech he claims that “keeps talking” for reasons
Essay on the Prose Poem by Charles Simic
I’m grateful to Peter Johnson for bringing Charles Simic’s brilliant, unpublished “Essay on the Prose Poem” to my attention. Although Simic wrote this essay ten years ago, twenty one years after he won the Pulitzer Prize for his book of prose poems titled The World Does Not End, it reads as freshly today as it did in 2010. Rife with
Suspense, Suspension, and the Sublime in the Poetry of Robert Frost
Suspense, Suspension, and the Sublime in the Poetry of Robert Frost Robert Frost was a sublime poet who struck terror in both himself and his readers. Gifted with a prodigious capacity for what John Keats called “negative capability,” that is, the ability to exist “in uncertainty, Mystery, doubt”—and I would add suspense—“without any irritable reaching after fact and
